<!-- --> A 6-inch (15 cm) grid covering each of the four black walls. White lines to points on the grids. Fourth wall: twenty-four lines from the center, twelve lines from the midpoint of each of the sides, twelve lines from each corner. (The length of the lines and their placement are determined by the […]

Isometric form. December 2001 Acrylic paint Courtesy of the Estate of Sol LeWitt First Installation Fundación PROA, Buenos Aires First Drawn By Ignacio Amespil, Cecilia de Arriba, Veronica del Toro, Tomas Fraccia, Francisco Gomez, Bruno Grisanti, Favio Guadagna, Walter Mantegazza, Erik Martinut, Barbara Mendez de Leo, Lola Quiroz, Anthony Sansotta, Santiago Solda MASS MoCA Building 7 […]

<!-- --> The location of one hundred random specific points. (The locations are determined by the drafters.) August 1977 Black pencil and black crayon Courtesy of the Estate of Sol LeWitt First Installation Art & Architecture building, Yale University, New Haven First Drawn By Jo Watanabe, Sol LeWitt Wall Drawing 305 is composed of one […]

<!-- --> A square divided horizontally and vertically into four equal parts, one gray, one yellow, one red and one blue, drawn with color and India ink washes. December 1982 India ink wash and color ink wash LeWitt Collection, Chester, Connecticut First Installation John Weber Gallery, New York First Drawn By Anthony Sansotta MASS MoCA Building […]

<!-- --> Ten thousand lines about 10 inches (25 cm) long, covering the wall evenly. June 1971 Black pencil Collection of Henry S. McNeil First Installation The Bykert Gallery, New York First Drawn By R. Holcomb, Kazuko Miyamoto MASS MoCA Building 7 Ground Floor In 1970, Sol LeWitt further distilled the formal vocabulary he used […]

<!-- --> Isometric figure with color ink washes superimposed. June 1989 Color ink wash Yale University Art Gallery Gift of the LeWitt Collection, Chester, Connecticut, in honor of Suzanne Hellmuth and Jock Reynolds First Installation Fundacio Joan Miró, Barcelona First Drawn By David Higginbotham, Elizabeth Sacre MASS MoCA Building 7 Second Floor Wall Drawing 610 was […]

<!-- --> Three concentric arches. The outside one is blue; the middle red; and the inside one is yellow. November 1988 Color ink wash Private collection, New York First Installation Sala 1, Rome First Drawn By Andrea Marescalchi MASS MoCA Building 7 Second Floor The original installation of Wall Drawing 579, at Sala 1 in […]

<!-- --> Scribbles. (Yale) July 2008 Graphite Courtesy of the Estate of Sol LeWitt (Designated for Yale University Art Gallery) First Installation MASS MoCA , North Adams, MA First Drawn By Takeshi Arita, Jennifer Chian, Aran Jones, Michael Benjamin Vedder Mass MoCA Building 7 Third Floor Throughout his career LeWitt generated complex structures using the […]

<!-- --> Bands of lines 12 inches (30 cm) wide, in three directions (vertical, horizontal, diagonal right) intersecting. September 1969 Black pencil Collection Michalke First Installation Institute of Contemporary Art, London First Drawn By James Walker MASS MoCA Building 7 Ground Floor Early in his career, Sol LeWitt began to have others help execute his […]

<!-- --> Six white geometric figures (outlines) superimposed on a black wall. October 1976 White crayon on black wall Los Angeles County Museum of Art, Purchased with matching funds from the National Endowment for the Arts and the Modern and Contemporary Art Council (M.76.103) First Installation Claire Copley Gallery, Los Angeles First Drawn By Chris […]

<!-- --> Scribble: Square without a square. July 2008 Graphite LeWitt Collection, Chester, Connecticut First Installation MASS MoCA , North Adams, MA First Drawn By Takeshi Arita, Jennifer Chian, Aran Jones, Michael Benjamin Vedder MASS MoCA Building 7 Third Floor Wall Drawing 1260 is one of two drawings in the retrospective that have been installed for […]

<!-- --> Loopy Doopy (orange and green). September 1998 Acrylic paint Addison Gallery of American Art, Andover, Massachusetts; partial gift of the artist and partial museum purchase with funds from Mimi Won and anonymous donor. First Installation PaceWildenstein, New York First Drawn By Elizabeth Alderman, Sachiko Cho, Edy Ferguson, Anders Felix Paux Hedberg, Choichi Nishikawa, […]

<!-- --> Scribbles: Inverted curve (horizontal). October 2005 Graphite Courtesy of the Estate of Sol LeWitt First Installation Galleria Studio G7, Bologna, Italy First Drawn By Asmir Ademagic, Rachela Abbate, Marco Bertozzi, Elisa Cancucci, Alessandra Frisan, Elena Latini, Luca Lolli,Viviana Longo, Benny Mangone, Juri Marsigli, Maria Lucrezia Schiavarelli, Anthony Sansotta, Francesca Simeone, Alessio Tugnoli, Simone […]

<!-- --> Vertical lines, not straight, not touching, covering the wall evenly. May 1970 Black pencil LeWitt Collection, Chester, Connecticut First Installation Yvon Lambert Gallery, Paris First Drawn By Sol LeWitt MASS MoCA Building 7 Ground Floor This wall drawing is dedicated to sculptor Eva Hesse. Sol LeWitt and Hesse were close friends, and LeWitt […]

<!-- --> Circles and arcs from the midpoints of four sides. (ACG 59) July 1972 Black pencil Courtesy of the Estate of Sol LeWitt First Installation MTL Gallery, Brussels First Drawn By P. de Jong, Sol LeWitt, F. Spillemackers, L. Verdeeck MASS MoCA Building 7 Ground Floor In the early 1970s Sol LeWitt expanded his […]

<!-- --> Color bands and black blob. The wall is divided vertically into six equal bands; red; yellow; blue; orange; purple; green. In the center is a black glossy blob. May 1999 Acrylic paint Courtesy of the Estate of Sol LeWitt (Designated for Yale University Art Gallery) First Installation Institute of Contemporary Art, Philadelphia First […]

<!-- --> A wall divided into fifteen equal parts, each with a different line direction, and all combinations. June 1970 Black pencil Private collection First Installation Private residence First Drawn By Kazuko Miyamoto MASS MoCA Building 7 Ground Floor Wall Drawing 47 is emblematic of Sol LeWitt’'s systematic exploration of lines going in four basic […]

<!-- --> Six-part drawing. The wall is divided horizontally and vertically into six equal parts. 1st part: On red, blue horizontal parallel lines, and in the center, a circle within which are yellow vertical parallel lines; 2nd part: On yellow, red horizontal parallel lines, and in the center, a square within which are blue vertical […]

<!-- --> Drawing Series IV (A) with color ink washes. (24 drawings.) March 1984 Color ink wash LeWitt Collection, Chester, Connecticut First Installation Moderna Museet, Stockholm First Drawn By David Higginbotham, Jo Watanabe MASS MoCA Building 7 Second Floor In the early 1980s, Sol LeWitt began to use India ink and colored ink washes, which are […]

<!-- --> All architectural points connected by straight lines. June 1970 Blue snap lines LeWitt Collection, Chester, Connecticut First Installation Sperone Gallery, Turin, Italy and Museo di Torino, Turin, Italy First Drawn By P. Giacchi, A. Giamasco, G. Mosca MASS MoCA Building 7 Ground Floor Wall Drawing 51 was first installed in 1970 in Turin […]

<!-- --> A black five-pointed star, a yellow six-pointed star, a red seven-pointed star, and a blue eight-pointed star, drawn in color and India ink washes. May 1983 India ink wash and color ink wash LeWitt Collection, Chester, Connecticut First Installation Accademia de Belle Arti, Perugia First Drawn By Oriano Baldelli, Alain Bolzan, Luca Constantini, […]

<!-- --> A white square divided horizontally and vertically into four equal parts, each with a different direction of alternating flat and glossy bands. March 2007 Acrylic paint LeWitt Collection, Chester, Connecticut First Installation Sean Kelly Gallery, New York First Drawn By John Hogan MASS MoCA Building 7 Third Floor Wall Drawing 821A was created for […]

<!-- --> The location of a parallelogram. June 1974 Black pencil and black crayon LeWitt Collection, Chester, Connecticut First Installation Galleria Sperone, Turin First Drawn By Sol LeWitt MASS MoCA Building 7 Ground Floor This wall drawing, like The location of a trapezoid, is an example of the location drawing series in which Sol LeWitt […]

<!-- --> A wall divided horizontally by a curvy line. The top is flat black; the bottom is glossy black. April 1997 Acrylic Paint Courtesy of the Estate of Sol LeWitt First Installation Ace Gallery, New York First Drawn By Artistides Dé Leon, Sachiko Cho, Derek Edwards, Naomi Fox, Henry Levine, Sunhee Lim, Jason Livingston, […]

<!-- --> Squares bordered and divided horizontally and vertically into four equal squares, each with bands in one of four directions. June 1999 Color ink wash Courtesy of the Estate of Sol LeWitt First Installation Galerie Franck + Schulte, Berlin First Drawn By Fransje Killaars, Roy Villevoye MASS MoCA Building 7 Second Floor Sol LeWitt’'s […]

<!-- --> Five degrees of scribbles: A cube without a cube; A cube without a corner. August 2005 Black pencil Collection of Arne and Milly Glimcher First Installation Glimcher Residence, East Hampton, New York First Drawn By Anthony Sansotta, Roland Lusk MASS MoCA Building 7 Third Floor In the early 1980s, Sol LeWitt began to […]

<!-- --> A black square divided horizontally and vertically into four equal parts, each with a different direction of alternating flat and glossy bands. April 1997 Acrylic paint The Art Institute of Chicago, Through prior gifts of Judith Neisser and Mary and Leigh Block; Norman Waite Harris Purchase Fund, 2006.168 First Installation Ace Gallery, New […]

<!-- --> A square divided horizontally and vertically into four equal parts, each with lines and colors in four directions superimposed progressively. June 1971 Colored pencil Glenstone, Potomac, MD First Installation LeWitt residence, New York First Drawn By Sol LeWitt MASS MoCA Building 7 Ground Floor Wall Drawing 87 was first installed by Sol LeWitt […]

<!-- --> A black outlined square with a red horizontal line centered on the axis between the midpoint of the left side and the midpoint of the right side and a red diagonal line centered on the axis between the lower left and upper right corners. April 1973 Red and black crayon Courtesy of the […]

<!-- --> The location of six geometric figures. (The specific locations are determined by the drafter.) September 1975 Black pencil and black crayon The Art Institute of Chicago, Through prior gifts of Judith Neisser and Mary and Leigh Block; Norman Waite Harris Purchase Fund, 2006.166 First Installation Gentofte Kommunes Kunstbibliotek, Copenhagen First Drawn By Steingrim […]

<!-- --> On a blue wall, a black square within a white border. April 1993 India ink, color ink wash, gouache Yale University Art Gallery, Katharine Ordway Fund First Installation Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts First Drawn By Sachiko Cho, Leslie Maloney, Shawn Perry, Anthony Sansotta, Philip Sirois MASS MoCA Building 7 […]

<!-- --> The location of a trapezoid. June 1974 Black pencil and black crayon Courtesy of the Estate of Sol LeWitt First Installation Galleria Sperone, Turin First Drawn By Sol LeWitt MASS MoCA Building 7 Ground Floor One of the six basic figures in Sol LeWitt's vocabulary, the trapezoid in Wall Drawing 237 is determined […]

<!-- Projecting form. July 2003 Colored pencil Courtesy of the Estate of Sol LeWitt --> Projecting form. July 2003 Colored pencil Courtesy of the Estate of Sol LeWitt First Installation PaceWildenstein, New York First Drawn By Anthony Sansotta, Jason Rulnick MASS MoCA Building 7 Ground Floor Closely related to Wall Drawing 1094, previously on display* at […]

<!-- --> A wall is divided horizontally into two equal parts. Top: alternating horizontal black and white 8-inch (20 cm) bands. Bottom: alternating vertical black and white 8-inch (20 cm) bands. January 1990 India ink Yale University Art Gallery Gift of Alexis B. Dittmer and Jason J. Dittmer First Installation Galerie Onrust, Amsterdam First Drawn […]

<!-- --> Rectangles, with color ink washes superimposed. Each is bordered by a 10-inch (25 cm) band with color ink washes superimposed, a ½-inch (1¼ cm) white band, and a 4-inch (10 cm) black band. December 1988 Color ink wash Courtesy of the Estate of Sol LeWitt (583F is Designated for Yale University Art Gallery) […]

<!-- --> A wall divided from the upper left to the lower right by a curvy line; left: glossy yellow; right: glossy purple. June 1998 Acrylic paint Courtesy of the Estate of Sol LeWitt First Installation Galleria d’'Arte Moderna e Contemporanea Palazzo Forti, Verona First Drawn By Cristina Caterinangeli, Anthony Sansotta MASS MoCA Building 7 Third […]

<!-- --> Two-part drawing. The two walls are each divided horizontally and vertically into four equal parts. First wall: 12-inch (30 cm) bands of lines in four directions, one direction in each part, drawn in black India ink. Second wall: Same, but with four colors drawn in India ink and color ink washes. April 1983 […]

<!-- --> Rectangles formed by 3-inch (8 cm) wide India ink bands, meeting at right angles. July 1989 India ink Yale University Art Gallery, Gift of the artist First Installation Lisson Gallery, London (installed at Yale November, 2006) First Drawn By David Higginbotham, Liam Longman, Philip Riley, Jim Rogers, Elizabeth Sacre MASS MoCA Building 7 […]

<!-- --> On a wall divided vertically into fifteen equal parts, vertical lines, not straight, using four colors in all one-, two-, three-, and four-part combinations. July 1971 Colored pencil Centre Pompidou, Paris Musée national d’'art moderne/Centre de création industrielle First Installation Toselli Gallery, Milan First Drawn By Sol LeWitt MASS MoCA Building 7 Ground […]

<!-- --> Bars of color (La Coruña). May 2002 Acrylic paint Courtesy of the Estate of Sol LeWitt First Installation Fundación Pedro Barrié de la Maza, La Coruña, Spain First Drawn By German Tajes Camiño, Sachiko Cho, Jose Ramon Fraga, Jose Carlos Soliño, Manuel Gracia Solana, Constantino Diaz Vazquez, Jose Luis Vazquez, Jo Watanabe The […]

<!-- --> A 10-inch (25 cm) grid covering the wall. An increasing number of vertical not straight lines from the left side and horizontal not straight lines from bottom to top, adding one line per row of the grid. All lines are spaced evenly based on the number of lines, filling the last row of […]

<!-- --> On a black wall, nine geometric figures (including right triangle, cross, X) in squares. The backgrounds are filled in solid white. December 1980 White crayon on black wall A, B, C, D, E, F (Square, Circle, Triangle, Rectangle, Trapezoid, Parallelogram) Pinault Collection First Installation Larry Gagosian Gallery, Venice, CA First Drawn By Jo […]

<!-- --> Two flat-topped pyramids with color ink washes superimposed. April 1987 Color ink wash Courtesy of the Estate of Sol LeWitt First Installation Bonnefantenmuseum, Maastricht, the Netherlands First Drawn By Fransje Killaars, Ton van der Laaken, Roy Villevoye MASS MoCA Building 7 Second Floor First completed in 1987, Wall Drawing 527 is one of Sol […]

<!-- --> Asymmetrical pyramid with color ink washes superimposed. May 1985 Color ink wash Cuomo Collection First installation Sala de Exposiciones de la Fundacion, Caja de Pensiones, Madrid First Drawn By David Higginbotham, Jo Watanabe MASS MoCA Building 7 Second Floor

<!-- --> A 6-inch (15 cm) grid covering the wall. Within each square, not straight lines in either of four directions. Only one direction in each square but as many as desired, and at least one line in each square. June 1971 Black pencil Milwaukee Art Museum, Gift of Friends of Art, M2006.1 First Installation […]

<!-- --> Tilted forms with color ink washes superimposed. December 1987 Color ink wash Courtesy of the Estate of Sol LeWitt First Installation Royal Scottish Academy, Edinburgh First Drawn By David Higginbotham, Linda Taylor, Jo Watanabe MASS MoCA Building 7 Second Floor Wall Drawing 552D is a part of the body of wall drawings presenting a […]

<!-- --> Squares, divided horizontally and vertically into four equal parts. Within each part, color ink washes superimposed. The squares are bordered by a ½-inch (1¼ cm) white band and a 4-inch (10 cm) black band. January 1989 Color ink wash Courtesy of the Estate of Sol LeWitt First Installation Kunsthalle Bern, Bern, Switzerland First […]

<!-- --> Bars of color within a square (#8). April 2002 Acrylic paint Courtesy of the Estate of Sol LeWitt First Installation Galleria Juana de Aizpuru, Madrid First Drawn By Sachiko Cho, Pia Frade Dodriguez, Aurora Ortega, Rafael Aragon Romero MASS MoCA Building 7 Third Floor Wall Drawing 1037 is part of a series of […]

<!-- --> A wall divided vertically into four equal squares separated and bordered by black bands. Within each square, bands in one of four directions, each with color ink washes superimposed. August 1993 Color ink wash National Gallery of Art, Washington, D.C. The Dorothy and Herbert Vogel Collection, Gift of Dorothy and Herbert Vogel, Trustees, […]

<!-- --> Irregular wavy color bands. January 1996 Color ink wash Courtesy of the Estate of Sol LeWitt First Installation Sala de las Alhajas, Madrid First Drawn By Sachiko Cho, Jo Watanabe MASS MoCA Building 7 Second Floor Many of Sol LeWitt'’s ink wall drawings consist of thick bands of color. Until 1996 these bands […]

<!-- --> Scribbles 7. (PW) August 2007 Graphite The Doris and Donald Fisher Collection at the San Francisco Museum of Modern Art First Installation Pace Wildenstein, New York First Drawn By Charles Allen, Takeshi Arita, Andrew Colbert, Sarah Heinemann, John Hogan, Gabriel Hurier, Sara Krugman, Roland Lusk, Anthony Sansotta, Michael-Benjamin Vedder MASS MoCA Building 7 […]

<!-- --> Continuous forms with color ink washes superimposed. October 1991 Color ink wash Collection of Martin E. Zimmerman/LINC Group First Installation LINC Group, Chicago First Drawn By Rebecca Schwab MASS MoCA Building 7 Second Floor In the early 1990s Sol LeWitt created a series of wall drawings depicting ‘continuous forms.’ These forms represent a variation […]

<!-- --> A wall is divided into two equal parts by a line drawn from corner to corner. Left: alternating diagonal black and white 8-inch (20 cm) bands from the lower left. Right: alternating diagonal black and white 8-inch (20 cm) bands from the upper right. January 1990 India ink Yale University Art Gallery Gift […]

<!-- --> A square is divided horizontally and vertically into four equal parts, each with lines in four directions superimposed progressively. August 1970 Black pencil LeWitt Collection, Chester, Connecticut First Installation LeWitt residence, New York First Drawn By Sol LeWitt MASS MoCA Building 7 Ground Floor Sol LeWitt’'s early wall drawings were based on finite […]

<!-- --> A black outlined square with a red diagonal line centered on the axis between the upper left and lower right corners and another red diagonal line centered on the axis between the lower left and upper right corners. April 1973 Red and black crayon Courtesy of the Estate of Sol LeWitt First Installation […]

<!-- --> A black square divided in two parts by a wavy line. One part flat; one glossy. April 1997 Acrylic paint 824A,B,C,E,F,H,J,K,L,M,N: Courtesy of the Estate of Sol LeWitt (Designated for Yale University Art Gallery) 824G: Lent by Alan Gibbs First Installation Ace Gallery, New York First Drawn By Artistides Dé Leon, Sachiko Cho, […]

<!-- --> Planes of color. March 2003 Acrylic paint Yale University Art Gallery Gift of the LeWitt Collection, Chester, Connecticut, in honor of Sylvia Plimack Mangold, B.F.A. 1961 and Robert Mangold, B.F.A. 1961, M.F.A. 1963 First Installation Kunstammlungen Chemnitz, Germany First Drawn By Michael Aurich, José Augusto, Proa Daniel, Megan Dyer, Jan Kummer, Frank Maibier, […]

<!-- --> Twenty-one isometric cubes of varying sizes, each with color ink washes superimposed. September 1994 Color ink wash San Francisco Museum of Modern Art, Accessions Committee Fund: gift of Barbara and Gerson Bakar, Emily Carroll and Thomas Weisel, Jean and James E. Douglas, Jr., Evelyn D. Haas, the Modern Art Council, Phyllis and Stuart […]

<!-- --> A wall bordered and divided vertically into two parts by a flat black band. Left part: a square is divided vertically by a curvy line. Left: glossy red; right: glossy green; Right part: a square is divided horizontally by a curvy line. Top: glossy blue; bottom: glossy orange. June 1998 Acrylic paint Courtesy […]

<!-- --> Wall Drawing 999: Parallel Curves (detail: one of two walls) August 2001 Acrylic paint (black bands on white) Collection of Thomas Weisel First Installation Lever House, New York First Drawn By Paolo Arao, Nicole Awai, Ian Dapot, Megan G. Dyer, Sarah Heinemann, John Hogan, Eric Hongisto, Tomas Ramberg MASS MoCA Building 7 Third Floor […]

<!-- --> On blue walls, all two-part combinations of white arcs from corners and sides, and white straight, not straight, and broken lines within a 36-inch (90 cm) grid. June 2000 White crayon, black pencil on blue wall LeWitt Collection, Chester, Connecticut First Installation By Museum of Contemporary Art, Chicago First Drawn By Mio St. […]

Whirls and twirls. (Met) April 2005 Acrylic paint LeWitt Collection, Chester, Connecticut First Installation Metropolitan Museum of Art, Iris and B. Gerald Cantor Roof Garden First Drawn By Takeshi Arita, Sarah Heinemann, Gabriel Hurier, Chie Shimizu Whirls and Twirls was created for the Iris B. Gerald Cantor Roof Garden at the Metropolitan Museum of Art […]

<!-- --> Grid and arcs from four corners. (ACG 103) March 1972 Black pencil LeWitt Collection, Chester, Connecticut First Installation Paul Toner residence, New York First Drawn By S. Kato, Ryo Watanabe MASS MoCA Building 7 Ground Floor By 1971, Sol LeWitt had begun to add arcs and circles to his vocabulary. In 1972, he […]

<!-- --> Splat. November 2000 Acrylic paint LeWitt Collection, Chester, Connecticut First Installation PaceWildenstein, New York First Drawn By Takeshi Arita, Cristina Caterinangeli, Sachiko Cho, Kevin Oster MASS MoCA Building 7 Third Floor Wall Drawing 958 was first created at PaceWildenstein gallery for an exhibition that ran concurrently with Sol LeWitt'’s retrospective at the Whitney Museum […]

<!-- --> The first drafter has a black marker and makes an irregular horizontal line near the top of the wall. Then the second drafter tries to copy it (without touching it) using a red marker. The third drafter does the same, using a yellow marker. The fourth drafter does the same using a blue […]

<!-- --> A wall is divided into four horizontal parts. In the top row are four equal divisions, each with lines in a different direction. In the second row, six double combinations; in the third row, four triple combinations; in the bottom row, all four combinations superimposed. June 1971 Colored pencil LeWitt Collection, Chester, Connecticut […]

<!-- --> A black outlined square with a red horizontal line from the midpoint of the left side toward the middle of the right side. April 1973 Red and black crayon Courtesy of the Estate of Sol LeWitt (Designated for Yale University Art Gallery) First Installation Museum of Modern Art, Oxford First Drawn By Sol […]

Drawing Series IV (A) with India ink washes. (24 Drawings.) March 1984 India ink wash LeWitt Collection, Chester, Connecticut First Installation Moderna Museet, Stockholm First Drawn By David Higginbotham, Jo Watanabe In the early 1980’s Sol LeWitt began to use India ink and colored ink washes. The ink is applied with soft rags and dabbed […]

<!-- --> On four walls, one room, arcs 4 inches (10 cm) wide, from the midpoints of four sides, drawn with alternating bands of gray and black ink wash (Detail: three walls). January 1986 India ink wash LeWitt Collection, Chester, Connecticut First Installation Galleria Studio G7, Bologna, Italy First Drawn By Sergio Cavazzini, Mauro Pitaccolo, […]

<!-- --> Form derived from a cube. November 2000 Black pencil Collection of Deborah Ronnen, Rochester First Installation Whitney Museum of American Art, New York First Drawn By Mio St. Clair MASS MoCA Building 7 Ground Floor Wall Drawing 957, first executed in 2000 at the Whitney Museum of American Art, presents two isometric forms derived […]

<!-- --> The room (or wall) is divided vertically into fifteen parts. All one-, two-, three-, and four-part combinations of four colors, using color ink washes. November 1984 Color ink wash Courtesy of the Estate of Sol LeWitt First Installation Stedelijk Museum, Amsterdam First Drawn By Anthony Sansotta, Marien Schouten, Wim Starkenburg, Willem Wolff MASS MoCA […]

A wall divided horizontally and vertically into four equal parts. Within each part, three of the four kinds of lines are superimposed.

<!-- --> Tissue paper cut into 1½-inch (4 cm) squares and inserted into holes in the gray pegboard walls. All holes in the walls are filled randomly. April 1970 Colored tissue papers, gray pegboard walls Panza Collection First Installation Tokyo Biennial, Tokyo First Drawn By Unknown MASS MoCA Building 7 Ground Floor In Wall Drawing […]

<!-- --> (Detail: square and circle) On four black walls, white vertical parallel lines, and in the center of the walls, eight geometric figures (including cross, X) within which are white horizontal parallel lines. The vertical lines do not enter the figures. May 1980 White crayon on black wall Tate: Purchased 1980 First Installation Lisson […]

<!-- --> Isometric form. May 2002 Acrylic paint Courtesy of the Estate of Sol LeWitt First Installation Donald Young Gallery, Chicago First Drawn By Anthony Elms, John Hogan, Colleen Kelsey Executed for an exhibit of new work by Donald Young'’s gallery artists, Wall Drawing 1042 is an example of Sol LeWitt’'s acrylic wall drawings first […]

<!-- --> A black outlined square with a red diagonal line from the lower left corner toward the upper right corner; and another red line from the lower right corner to the upper left. April 1973 Red and black crayon Private Collection, Durham, North Carolina First Installation Museum of Modern Art, Oxford First Drawn By […]

<!-- --> Square with broken bands of color. December 2003 Acrylic paint Collection of Henry S. McNeil First Installation Rhona Hoffman Gallery, Chicago First Drawn By Juozas Cernius, Vincent Como, Sandra Dillon, John Hogan, Josh Mills MASS MoCA Building 7 Third Floor Square with broken bands of color is an example of the exuberant wall […]

<!-- --> The wall is bordered and divided horizontally and vertically into four equal parts with a 6-inch (15 cm) black ink band. Each quarter has alternating parallel 6-inch (15 cm) bands of white and color ink bands. Upper left: gray; upper right: yellow; lower left: red; lower right: blue. September 1984 Color ink wash […]

<!-- --> Arcs, circle, and irregular bands. September 1999 Acrylic paint Courtesy of the Estate of Sol LeWitt First Installation Paula Cooper Gallery, New York First Drawn By Dana Carlson, Christina Hejtmanek, James Sheehen, Emily Ripley MASS MoCA Building 7 Third Floor Wall Drawing 915 can be read as an amalgamation of many of Sol LeWitt’'s […]

<!-- --> Black rectangles and squares. June 1995 Dispersion paint Courtesy of the Estate of Sol LeWitt First Installation Ludwigsburger Schlossfestpiele, Ludwigsburg, Germany First Drawn By Alge Algermissen, Sabine Griesingen, Paul James Haworth, Hartmt Hengerer, Anthony Sansotta, Jogi Wegrzyn, Jeroen van der Velden, Miriam Wawrzihek MASS MoCA Building 7 Second Floor Applying horizontal and vertical white […]

<!-- --> A wall divided vertically into six equal parts, with two of the four kinds of line directions superimposed in each part. September 1969 Black pencil Panza Collection First Installation Dwan Gallery, New York First Drawn By Steven Gwon, Chris Hansen, T. Julia, Al Williams, Sol LeWitt MASS MoCA Building 7 Ground Floor Wall […]

<!-- --> Stars with three, four, five, six, seven, eight, and nine points, drawn with a light tone India ink wash inside, an India ink wash outside, separated by a 6-inch (15 cm) white band. January 1983 India ink wash Courtesy of the Estate of Sol LeWitt First Installation Carol Taylor Art, Dallas First Drawn […]

<!-- --> Scribbles: Inverted curve (vertical). October 2005 Graphite Collection of Alessandro Maccaferri First Installation Galleria Studio G7, Bologna, Italy First Drawn By Asmir Ademagic, Rachela Abbate, Marco Bertozzi, Elisa Cancucci, Alessandra Frisan, Elena Latini, Luca Lolli,Viviana Longo, Benny Mangone, Juri Marsigli, Maria Lucrezia Schiavarelli, Anthony Sansotta, Francesca Simeone, Alessio Tugnoli, Simone Vagnetti MASS MoCA […]

<!-- --> Four-part drawing with a different line direction in each part. September 1969 Black pencil Albright Knox Art Gallery, Buffalo, New York. The Panza Collection and Geroge B. and Jenny R. Mathews Fund, by exchange, George B. and Jenny R. Mathews fund and Charles Clifton Fund, by exchange, 2008 First Installation Dwan Gallery, New […]

<!-- --> A square divided horizontally and vertically into four equal parts, each with a progressively darker gradation of gray. February 1984 India ink wash and color ink wash LeWitt Collection, Chester, Connecticut First Installation Stedelijk Museum, Amsterdam First Drawn By David Higginbotham, Anthony Sansotta, and others MASS MoCA Building 7 Ground Floor Wall Drawing 365 […]

<!-- --> Drawing Series— Part I-–IV, #1-–24, A B. (192 drawings). August 2006 Colored pencil Courtesy of the Estate of Sol LeWitt First Installation Dia:Beacon, Beacon, New York First Drawn By Lacey Fekishazy, Mary Gagne, Nick Kozak, Roland Lusk, Tanya Merrill, Darin Roberts, Anthony Sansotta MASS MoCA Building 7 Ground Floor Between 1969 and 1970 Sol […]

<!-- --> Double Drawing. Right: Isometric Figure (Cube) with progressively darker graduations of gray on each of three planes; Left: Isometric figure with red, yellow, and blue superimposed progressively on each of the three planes. The background is gray. March 1993 Color ink wash LeWitt Collection, Chester, Connecticut First Installation Addison Gallery of American Art, […]

Within a four-meter (160”) circle, draw 10,000 black straight lines and 10,000 black not straight lines. All lines are randomly spaced and equally distributed. August 2005 Marker Yale University Art Gallery Gift of the LeWitt Collection, Chester, Connecticut, in honor of Terry and Richard Albright, B.A. 1961 First Installation Galerie Sfeir-Semler, Beirut, Lebanon First Drawn […]