
Pairs micro-funds with business planning for an artist’s long-term success
Find out more »Check back soon for information about public tours. Gallery guides are available for most exhibitions. Have questions during your visit? See one of our museum attendants.
Find out more »Nick Cave, Shaun Leonardo, Steve Locke, Xaviera Simmons, M. Carmen Lane, and Dr. Kalima Young
Find out more »Lisa Dent, Tracy Moore, Cameron Shaw, Eric Shiner, Dr. Mindy Fullilove, and Cecile Shellman
Find out more »CARE SYLLABUS
Find out more »bashezo, Ashley Ferro-Murray, John Spiak, Erica Wall, Sarah Workneh, and M. Carmen Lane
Find out more »Taryn Simon’s large-scale outdoor sculpture The Pipes is on long-term view on the MASS MoCA campus. What began as an oversized concrete instrument for a cacophony of global mourning in Simon’s work An Occupation of Loss (The Armory, 2016) will be populated by the sounds, collective call and response, and movements of a living public. The 11 structures that make up the installation – which Simon designed in collaboration with Shohei Shigematsu of architecture firm OMA – are an immersive…
Find out more »An activation in Jeffrey Gibson's POWER FULL BECAUSE WE'RE DIFFERENT.
Find out more »Cecilia Vicuña: union of three is rooted in the artist’s 60-year art practice of 'precarios' or ‘Arte Precario’—small assemblages made from discarded and fragmented materials conceptually foregrounded in ephemerality, intangibility, and evanescence. Born in 1948 in Santiago, Chile, and based in New York City, the pioneering visual artist, poet, filmmaker, and activist has focused on various political issues, from the fascist Pinochet era of Chile to the present environmental destruction. Cecilia Vicuña: union of three presents a selection of ‘precario’…
Find out more »Lola Ayisha Ogbara: Scars Insist on Being Remembered is an exercise in care that explores Black movement, veneration, and sonic experimentation, presented through imagined geographies and naturally forming archives rooted in the artistic and cultural traditions of post-structuralism in Black American and African diasporic communities. With a conceptual practice standing at the intersection of non-Western epistemologies and bodily topographies, Ogbara explores the philosophical poetics of the scar as both a visual language of fugitivity and an imprint of resistance through…
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