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Sol LeWitt: A Wall Drawing Retrospective

A collaboration between Yale University Art Gallery, MASS MoCA, and the Williams College Museum of Art
#1185 / Photo: Kevin Kennefick
Info

Wall Drawing 1185

Scribbles: Inverted curve(horizontal).
October 2005
Graphite
Courtesy of the Estate of Sol LeWitt

First Installation

Galleria Studio G7, Bologna, Italy

First Drawn By

Asmir Ademagic, Rachela Abbate, Marco Bertozzi, Elisa Cancucci, Alessandra Frisan, Elena Latini, Luca Lolli,Viviana Longo, Benny Mangone, Juri Marsigli, Maria Lucrezia Schiavarelli, Anthony Sansotta, Francesca Simeone, Alessio Tugnoli, Simone Vagnetti

MASS MoCA Building 7
Third Floor

Wall Drawing 1185 is one of three scribble drawings that were first designed for Galleria Studio G7 in Bologna. These three drawings -- Scribbles: Curve, Scribbles: Inverted curve (vertical) and Scribbles: Inverted curve (horizontal) -- were done in the scribble technique that Sol LeWitt explored from 2005 to 2007. Although previous wall drawings called for a scribble-like application of pencil or crayon, these recent scribble drawings differ in that they have gradations of tone created by varying densities of graphite. Following the artist’s diagram, the draftsmen use string to plot out the tonal gradations, from level one (the lightest tone) to level six (the darkest.)

These recent drawings, the artist’s culminating works, may seem a departure from his rigorously ordered earlier work, which emphasized the flat plane of the wall. The depth created by the tonalities in the scribble drawings has inspired comparisons to infinite space, and invites reconsideration of LeWitt’s earlier focus on the flatness of the image plane. In addition, the graphite’s reflective sheen is suggestive of metal. However, the repetitive nature of the scribble relates to LeWitt’s lifelong interest in repetitive mark-making, and the organic nature of the scribbles correlates with his later works that explored more free-form shapes.

Backstory

The scribbling process produces graphite dust that easily adheres to painted walls. At MASS MoCA, to prevent the dust from sticking to the nearby painted wall drawings, draftsmen enclosed the walls designated for the scribble drawings using plastic sheets, creating a sealed-in area in which they could work.

   
 
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