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Kevin Bubriski: The New Mexicans

The New Mexicans documents Kevin Bubriski’s two-year stay in New Mexico in the early 1980s. A young photographer fresh from the Peace Corps in Nepal, Bubriski fully immersed himself as a still photographer on the set of the film The Ballad of Gregorio Cortez. This led to assignments as a local news photographer — work that would connect him to native New Mexicans from all walks of life.

With his camera always at the ready, Bubriski covered events from rodeos to mud wrestling, to the solemn funeral of a murdered Santa Fe priest, and politicians on the campaign trail – while remaining open to serendipitous encounters along the way.

He also documents his extraordinary and insightful access to the residents of the State Penitentiary of New Mexico, the local arts community, and public ceremonies and dances of the Northern Pueblos. With the fresh eye of a newcomer to the state who had already explored remote corners of the world, Bubriski has created a moving and evocative record of a moment in time in the northern reaches of the Land of Enchantment.

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About the Author:
Kevin Bubriski has exhibited worldwide; his work is in the permanent collections of the Museum of Modern Art, The Metropolitan Museum of Art, and the International Center of Photography, all in New York; the San Francisco Museum of Modern Art; the Yale University Art Gallery, New Haven; the Center for Creative Photography, Tucson; and the Bibliotheque Nationale, Paris. A recipient of numerous high-profile fellowships, Bubriski worked for nine years in Nepal, and has photographed his journeys to India, Tibet, and Bangladesh. Author of Portrait of Nepal (Chronicle), which won the Golden Light Documentary Award in 1993: Hindu and Buddhist Holy Sites in the Sacred Valley of Nepal (Inner Traditions), and The Uyghurs (George F. Thompson). Bubriski lives in Vermont with his wife.

Genesis Báez’s visual work merges fiction, personal narratives, and social histories of modern colonization in a conversation around placemaking. Báez’s debut monograph, Blue Sun (Capricious Publishing, 2025) spans a decade of photographic work made in Puerto Rico and its diaspora. Blue Sun offers a glimmering examination of matriarchal kinship through images of the elemental and generational.

Christine Kelly’s Allow Me to Slip on Something a Little More Hypocycloid puts geometry to shame. Like a curve rolling on the inside of a circumference, “my dispersal is at your disposal,” Kelly writes. Hypocycloids aren’t just graphical representations—they’re spatial unsystems, vibed-out significations, sites of performance.

About the Authors:
Genesis Báez’s works are represented in the permanent collections of the Museum of Modern Art, New York; Whitney Museum of American Art, The Detroit Institute of Art; and Yale University Art Gallery, New Haven, Connecticut. Born in Massachusetts to Puerto Rican migrants, Báez studied at Massachusetts College of Art & Design, the Yale School of Art and Skowhegan and currently teaches photography at Williams College and Sarah Lawrence College.

Christine Kelly is a poet and artist based in North Adams, Massachusetts. Her work takes the form of slapstick powerpoint presentations, textiles, bibliomancy, drawings, and more. She is the author of Allow Me to Slip on Something a Little More Hypocycloid (PRROBLEM, 2025) and the chapbooks Food Gas Lodging Liquid Solid (Creative Writing Department, 2023), Dopamine Agonist Destiny Forest (Theme Can Print Editions, 2018), and Pudding Time (DoubleCross Press, 2015). She holds an MFA from the Milton Avery Graduate College of Arts at Bard College and a BFA from the Cleveland Institute of Art.

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