
Public Program
Choi and Galloway’s presentation weaves together their long collaboration and ongoing conversation about the aesthetics and politics of code and textile, followed by a discussion moderated by Vasudevan. Kresge directs a participatory movement workshop that extends the conversation toward visceral and communal experience. Together, the project explores uncomputability as a creative framework for thinking about contemporary technologies and social systems, connecting the threads of cotton and fiber-optic cables running through data centers.
About the Facilitators
최태윤 Taeyoon Choi is an artist, writer, and educator who explores the poetics of technology and human relations, working with images, text, and code in collaboration with fellow artists and community members. In 2013, he co-founded the School for Poetic Computation, a hybrid school, residency, and research group exploring the intersections of code, design, hardware, and theory. His work has been presented at institutions including the Whitney Museum of American Art and MASS MoCA.
Cori Kresge is a New York-based dance artist whose practice moves across choreography, somatic inquiry, participatory structures, and poetry. Her work has been presented by Goethe in the Skyways, Elevation 1049, Beach Sessions Rockaway, Green Space, and Dance Roulette, among others. A certified teacher and stager for the Merce Cunningham Trust, she is also the author of two chapbooks, isn’t devotion (2019) and Combustion Suite (2023), and the founder of PlayWithMatchesWorkshop.com.
Alexander R. Galloway is a writer and computer programmer working on issues in philosophy, technology, and theories of mediation, and Professor of Media, Culture, and Communication at New York University. He is the author of several books on digital media and critical theory, including The Interface Effect (Polity, 2012). A founding member of the software collective RSG, his honors include a Guggenheim Fellowship, the Berlin Prize, and the Prix Ars Electronica.
Roopa Vasudevan is a South Asian-American media artist and researcher based between New York City and western Massachusetts, whose research and creative practice investigates the gaps between the stories we tell about digital systems and the realities of their implementation. Her work has been exhibited internationally and supported by MASS MoCA, NEW INC, the Processing Foundation, and Eyebeam, among others. She is an Assistant Professor in the Department of Art at the University of Massachusetts Amherst.
Support for Technologies of Relation is provided by the Jacques and Natasha Gelman Foundation, The Coby Foundation, Robert Motherwell and Renate Ponsold (in memoriam), Dale and Deborah Smith Foundation, and a grant from Berkshire Taconic Community Foundation’s Artist’s Resource Trust.
Distributed Web of Care, Taeyoon Choi With Jerron Harman, stud1nt, Tiriree Kananuruk, Jonathan Dahan, Chancey Fleet and the School for Poetic Computation, Whitney Museum of American Art, Photo by Fillip Wolak, 2019