Looking for a place to warm up during a chilly February school break? MASS MoCA has you covered!

Join MASS MoCA Museum Educators in Kidspace all break long (from February 16–20, including Tuesday!) for a series of workshops at 11am and 1pm! Each workshop will lead participants creating in a different kind of art, including storybook puppets, reductive sculpture, pointillism drawing, and your very own cartoon character.

With a prediction of six more weeks of winter ahead, consider spending some time in “Sol LeWitt: A Wall Drawing Retrospective” during your next visit. Bold colors, mesmerizing patterns, and subtle textures offer a revitalizing experience — a welcome jolt of energy on winter days.

Plan your visit at the link in our bio.

Herb Alpert Award-winner Robin Frohardt — whose immersive, multimedia experience “The Plastic Bag Store” captivated audiences at MASS MoCA in 2024 — returns on February 20 for a preview of "Shopping Center of the Universe," a theatrical work of speculative nonfiction.

This new work in development, grounded in reality yet deeply reflective, offers a poetic meditation on our relationship with the natural world. Blending puppetry, prose, original music, and intricate handmade sets, Frohardt gives shape to the cultural and personal curiosity she experienced growing up surrounded by big-box stores — reframing the parking lot as part of the ecosystem rather than separate from it.

Head over to the link in our bio to save your seat!

On March 21, join author Jonathan Lackman and illustrator Zachary James Pinson for the R&D Store’s first edition of the graphic novel book club, where they’ll be discussing their book “The Woman with Fifty Faces: Maria Lani & the Greatest Art Heist That Never Was”!

Snag your copy and save your spot at the link in our bio, or come on in to the R&D Store to pick up this gripping, lushly illustrated read.

The artists featured in "Technologies of Relation" examine the current state of technology, considering how we can rethink our relationships to our devices, to computing, and to artificial intelligence, while bringing increased ethics and agency into the digital landscape.

Join fellow museum members, MASS MoCA curators, friends from the community, and artists on February 21 for a conversation moderated by Susan Cross, MASS MoCA Director of Curatorial Affairs, and join us for the opening celebration afterwards as we celebrate new exhibitions in The Robert W. Wilson Building (Building 6).

At 4pm on MASS MoCA’s Community Free Day, join choreographer and dance artist devynn emory in Jeffrey Gibson’s exhibition “POWER FULL BECAUSE WE’RE DIFFERENT” to gather around medical mannequin Jeanie as she departs this plane into the next as part of emory’s interdisciplinary work “boiling rain.”

“boiling rain” features emory, Yanira Castro, and maura nguyễn donohue as they overlay their voices and tongues with the sounds and memories of the club — sweating, insisting on last breaths, and guiding a procession through Gibson’s suspended garments, lights, and ancestral realms.

Together with emory, we will offer Jeanie to the skyworld, as she ascends into the live vocal compositions of artist Holland Andrews.

To commemorate the birthday of the legendary boxer and activist Muhammad Ali, we’re taking a look at Vincent Valdez’s “Beginning is Near (An American Trilogy), Chapter Two: Dream Baby Dream,” (2017—18), which images the mourners at Ali’s funeral.

In watching the proceedings, Valdez was astounded by the collected eulogists, a rare gathering of individuals from various races, politics, and religious denominations united in celebration of a man who fought for underrepresented Americans. Rendered in black, white, and grey, with touches of red around the eyes, noses, and hands, this series reminds us of our collective resistance to numbness, even in our darkest hours.