Laurie Anderson is one of today’s premier multimedia artists, known for her achievements as a visual artist, composer, poet, photographer, filmmaker, vocalist, and instrumentalist, and her innate ability to meld her dynamic practices into new and vibrant forms. Her seemingly boundless oeuvre includes the creation of books, albums, and performances that incorporate film, slides, recorded audio, live music, and spoken word. Anderson has long been recognized as a groundbreaking leader in the use of technology in the arts and has developed new musical instruments, including the tape bow violin, in which the bow has been replaced with magnetic audiotape and the bridge with a reader. She was one of MASS MoCA’s first artists-in-residence and has returned to the museum many times to develop and discuss works-in-progress.

In MASS MoCA’s B6: The Robert W. Wilson Building, Anderson invites viewers to explore a multi-functional constellation of galleries and installations including works that explore AI, a look back at past proposals and performance images, and her ongoing exploration of the many ways in which we can tell stories.

Further Reading
Interview with Laurie Anderson, f news Magazine, April 2006

Download a PDF of the exhibition guide here.

Principal exhibition support is provided by the Sakana Foundation. Major support for virtual reality installation with Hsin-Chien Huang is provided by The Rainbow Initiative Funds for Collaborative Cultural Project by Ministry of Culture, Taiwan, and National Chengchi University, Taiwan. Additional support is provided by Bowers & Wilkins.

To the Moon was commissioned by the Louisiana Museum of Modern Art, Humlebæk, Denmark; The National Culture and Arts Foundation, Taipei, Taiwan; and National Taiwan Normal University.

Laurie Anderson, The Chalkroom, 2017
Virtual reality installation with Hsin-Chien Huang
photo: Christin DeFord